Getting caught and charged with setting off their explosive devices, they’re brought before Cape Town’s Supreme Court and are found guilty. The flyers are against the unfavorable treatment of black Africans and segregating them from the white population. Along with his friend Stephen Lee (Daniel Webber), the two put together light explosives that shower propaganda leaflets in the streets. Tim Jenkin (Daniel Radcliffe) has joined the fight on the side of the African National Congress against apartheid in South Africa. (L-R) Daniel Webber as Stephen Lee and Daniel Radcliffe as Tim Jenkin in the drama/thriller, “ESCAPE FROM PRETORIA,” a Momentum Pictures release.” Photo Courtesy of Momentum Pictures. Still, for the thriller escape part of the true story, it’s well worth watching. Also, apartheid, the event from where the story stems gets minimized in the storyline. Even though many prison movies tend to drag out the inmate to inmate drama, this one lags a bit too much. However, while his performance is very good, the film loses some momentum with a lot of repetitious scenes.
On all major VoD platforms on March 7th, 2022.Back on the big screen, Daniel Radcliffe takes on the leading role in Escape from Pretoria. Also, Radcliffe further proves both his acting chops and a flair for accents.Įscape from Pretoria is in cinemas on Friday, March 6th.
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Nevertheless, the movie remains a solid prison thriller with enough risk, danger and remarkable source material to be a compelling watch.
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The men are united by their existential cause, yet the plan raises difficult, personal questions of how to lead it.ĭespite the chemistry of ANC prisoners, Pretoria could have benefitted from a harsher edge and better developed captors 12A-rated content and thinly drawn antagonists means the tension does not reach the fever pitch of Midnight Express (Alan Parker, 1978). The sparring revolutionaries’ heated exchanges reflect the nuance of the script, which is adapted from Jenkin’s book Inside Out: Escape from Pretoria Prison. However, relations are strained when the escape plot consumes the younger men, with Goldberg’s faction believing it reckless while Tim and Stephen seeing it as essential for the cause. Goldberg’s reputation precedes him as a political leader and there is mutual respect among the ANC inmates. This old guard is led by Denis Goldberg (Ian Hart), the resident ANC leader who chaperones Tim and Stephen into prison life. It also explores the dynamics of political activism, namely the sagacious old guard clashing with the daring new. It was a plan riddled with setbacks, doubt and in-fighting – committing to it risked death – and Francis Annan’s film captures the weight of this predicament. In a truly remarkable display of will and ingenuity, Jenkin made nine copies of prison keys using timber he smuggled from woodwork classes. How does one escape from a maximum-security prison? Make your own keys, of course. Like the other titles, Pretoria is based on a true story, and what a story that is! Set in apartheid South Africa in the late 1970s, it follows Tim Jenkin (Daniel Radcliffe) and Stephen Lee (Daniel Webber), two white political prisoners who hatch an ambitious plot to escape from Pretoria Central Prison.
Escape from Pretoria continues this trend of punchy, low-budget indies. Mindful of his critics and no doubt the weight of child stardom, Radcliffe made a string of interesting script choices in the 2010s, with highlights including Imperium (Daniel Ragussis, 2016), an edgy thriller about an undercover agent infiltrating a neo-Nazi group, and Jungle (Greg McClean, 2017), a gruelling survival story set in the depths of the Amazon rainforest.
In a review of Horns (Alexandre Aja, 2014), Times critic Kevin Maher wrote, “you never want to rip into actors, they’re a sensitive bunch… and yet I really struggle with Daniel Radcliffe.” Even Radcliffe, ever the self-deprecator, described his work in the Half Blood Prince (David Yates, 2009) as ‘one-note’, ‘complacent’ and ‘just not very good’. Ten years as the boy wizard brought Daniel Radcliffe fame and fortune beyond the dreams of avarice, yet it did not bring credibility.
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